I had a lucky introduction to Margery Winter’s intelligent, engaging work last week when I was bowled over by her fiber wall sculpture, presented in a 2-person exhibit with conceptually related work by her husband, Milo Winter, at the charming and intimate ArtProv Gallery in downtown Providence.
My immediate reaction to Ms. Winter’s work was visceral; her spectacular woven, boiled, stitched, painted wall pieces, invite touch and more. I found myself longing to crawl up into and explore the felted folds, erotic and urban nooks and crannies of her cleverly manipulated textile pieces. Inspired by the energy of the Jewelry District neighborhood where she lives and works, Winter captures the area’s “graffiti, crumbling facades, excavations, light and shadows, obtuse angles, linear patches and evidence of those who wander through this maze.” Winter fools the viewer with painted acrylic shadows, creating the illusion of volume juxtaposed with authentic shaped sculptural felt tunnels or actual shadows cast by raised sections of each piece. She is no stranger to drawing and design, as evidenced by her “Spacial Structure,” (1974) a handsome early etching included in the exhibit.
Winter alludes to human presences observed, albeit fleetingly, in her city-scapes. The glimpses of people who briefly inhabit her sculptural urban maps are referenced by strategic and humorous placement of things like an armless sleeve climbing over the top of one piece and flattening to join the grid. Winter’s use of real hair, loose and braided, adds another textural, somewhat dark dimension to her work. In an era of urban violence, with unedited images of terrorist atrocities broadcast regularly in the media, for this viewer, the hair presents a somewhat disturbing reference to trophies of war garnered by scalping.
Winter employs materials and techniques mastered in her impressive commercial career in fashion publishing and needlecraft. She demonstrates her expertise and love (she calls it “lust”) for yarn, fabric, texture, pattern, and color. Her abstract notations chronicling her vision of downtown Providence and modern city life in general, stand on their own as striking, beautifully crafted specimens of the genre of fiber sculpture installation and will hold their own in museum, corporate or private collection. ArtProv Gallery, 150 Chestnut Street Providence, 401-641-5182 Show Closing July 22!